![]() We don’t really know what Ryan Johnson, the director of episode 8, is doing, supposed to make a trilogy. We do not really know where is the project of Taika Waititi, the director of Thor Ragnarok. We don’t know if we’re talking about a trilogy with Squadrons. But these future films are very mysterious. The plan is to release an Avatar or Star Wars movie every year. Patty Jenkins’ Rogue Squadron movie is known to be released in 2023, but production has been pushed back and two more movies are slated for release, in 20. We must admit that since then, they have kept their word. And since then, it’s been an interstellar vacuum, or almost.įor the moment we only know that the former CEO of Disney said, 4 years ago, that the firm was going to be careful in terms of the number of films and the timing in the future. They started with books, Battlefront 2’s single-player mode, and Star Wars Resistance, a very average animated series. Their goal was certainly to create an extended universe around this postlogy. They certainly did not expect to find themselves, 10 years later, with a postlogy that created so many problems. So one film a year, a crazy ambition, which is the major part of the problem by the way. Still, when Disney bought the Star Wars license in 2012, they proudly announced a new trilogy, with a film every two years, and between each film, a spin-off also for the cinema. And let’s be honest, he was not without flaws. There are plenty of reasons why we have come to this, but the result for the public is disastrous.īetween those who hate episode 8, those who defend it as they defended their own child, those who absolutely hate the whole postlogy… In short, when it came out, poor episode 9 didn’t have a single chance. You have to imagine that 45 years ago, we made a robot speak just by beep beeps, and if we wanted to troll, I would say that he has more charisma than some of the main characters! But today, when it comes to Star Wars movies… Get ready to pull out the boxing gloves, because postlogy is synonymous with fighting. At first, the project looked like a children’s film on set, but in the 1970s, Georges Lucas created a behemoth that revolutionized the relationship to special effects, sounds and music. Star Wars is above all a film license, the films are precursors in many technical and artistic fields. The following text is a transcript of the video above Post-apo postlogy
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